The Advanced Diploma in Music Production and Sound Engineering is delivered over 48 teaching weeks, organised into three terms. Each term strengthens what you learned in the previous one and introduces new subjects at the right level of depth.
Through our progressive continuous learning method, modules combine listening, theory and studio work so that concepts are always tied to what you are doing with real music. You will not only learn which tools, microphones and techniques to use, but also why a particular choice works in a given musical or technical context.
As you move through the curriculum you will notice your work sounding more deliberate and consistent, and you will be able to explain your choices to artists, collaborators and clients.
Across the diploma you will work the following core subject areas:
• Production and Music Theory
• Audio Engineering & Acoustic Principles
• Audio Engineering Tools
• Digital Audio Workstations
• Large Format Studio Operation
• Introduction to Live Sound
• Music Business and Management
Below, you can browse through a more detailed breakdown for each of the three term. By connecting these strands rather than treating them in isolation, the course helps you think like a modern producer or engineer who can move confidently between creative and technical decisions.
To understand where these skills can take you, and the career paths our graduates pursue, move to the Careers tab.
These are the learning outcomes for this subject area.
You will be able to:
• Understand the uses of the programming language Max MSP in music production
• Understand advanced audio editing techniques
• Understand the workflow of mastering sessions
• Assess the function and use basic objects of Max MSP
• Create patches using Max MSP
• Use Max MSP to process MIDI messages
• Use Max MSP to process audio files
• Time align audio files (including dialogue)
• Select appropriate pitch correction techniques for given tasks
• Apply advanced pitch correction to recorded materials
• Devise strategies for the restoration of audio materials
• De-clip, de-click and de-hum audio materials
• Restore audio materials using spectral repair techniques
• List and select the tools used for the mastering of audio content
• Discuss the use of the tools commonly used for the mastering of audio content